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Why I Don’t Want to Shop With Brands Who Don’t Value Their Product

 

Why I don't want to shop with brands who don't value their product - Eleanor Snare

 

Our high streets are not just about shops and selling. The successful ones are a great experience, an engaging place to visit to try new things.

Mary Portas, This is Money

THE PAPERCHASE EXPERIENCE

Recently, my partner bought a set of notebooks from Paperchase. After unwrapping them at home, he realised the cover was made of translucent plastic, not paper (which is what we expected). We thought this was pretty cool, but it made me think a bit more about this retailer.

Why hadn’t Paperchase advertised this product’s USP, the translucent covers, in the shop?

Why were the books wrapped up and filed away on the shelf with all the other ‘normal’ notebooks?

In fact, why do shops do that? Why don’t they make the product’s USP more obvious?

Why do they make it seem like they don’t care about the product?

-If a brand really cares about its product, it should show.-

This experience, combined with many others over the last year as I’ve looked at ways to shop more sustainably, led me to this conclusion:

I don’t want to shop with a company who doesn’t seem to care about what they sell.

I don’t want to buy from brands where the product isn’t valued.

 

THE TWO THINGS WHICH TELL YOU IF A BRAND VALUES ITS PRODUCT

It’s not about the financial value of the product. It’s about whether the value of the product is clearly communicated in store. And it feels like a product isn’t valued when two big things happen in store:

  1. Poor visual merchandising
  2. Poor service

Why I Don't Want to Shop Where the Product Isn't Valued - Eleanor Snare

Undoubtedly good visual merchandising and good service is subjective, which is where the different business models of different brands contribute to how the product value is communicated.

For example, we might expect a fast fashion model to include:

  • High volume display
  • Merchandising focused on sales targets
  • Low interaction service or fast self-service

An example at the other end of the scale is a luxury brand model, where there’s low volume display, merchandising focusing on product quality and highly personalised service.

Both models reflect what the customer is paying for beyond the physical product. Both communicate the different value of the product and values of the brand.

But even in the highest volume, lowest interaction service models merchandising and service shouldn’t be of poor quality. There’s still a competitive standard to be met, and increasingly competitive as high street fashion brands vie for market share.

 

THE MINIMUM REQUIREMENT

If good visual merchandising and good service is subjective, here’s my minimum requirement for fashion retailers:

  • Clear signage or indication of departments, types of garments, sizing and price
  • Clean, undamaged, pressed clothing
  • Tidy display units with enough space to move and see clothes clearly
  • Staff who are ‘visible’ (they’re on the shop floor and have some sort of identifier)
  • Staff who know the shop layout, sizing conversions (e.g. bust measurement of size 12) and new stock
  • Staff who are willing to help and polite

I don’t expect amazing visual displays involving fountains and fruit, or staff who can recite the latest trends to me. Or even staff who smile and are really pleased to see customers, because I know retail is a tough job. Just that list.

(I don’t know whether the list sounds far too simple or radically unachievable. Tell me what you think!)

 

WHEN RETAILERS DON’T GET IT

In some of the disappointing experiences with fashion retailers, I’ve found display units rammed with hangers, making it difficult to see sizing. Clothing is crushed or streaked with makeup from a previous potential customer. Staff don’t know sizing conversions or can’t explain where items on ‘hero’ mannequins are in the shop itself.

In the worst cases, products are so poorly arranged or cared for it feels like you can’t buy them (either from confusion or repulsion). Staff are disengaged (unsurprisingly, given what we pay sales assistants in the UK) to the point of apathy and haven’t been trained in spotting when a customer is ready and willing to buy - so they miss sales.

Why I Don't Want to Shop Where the Product Isn't Valued - Eleanor Snare

These small things show that retailer hasn’t met that minimum requirement. In turn, it shows that the brand does not value their product enough to clearly demonstrate its perceived value through display or service.

Retailers have to deal with customers and their irritating habits of making a store messy, so it’s expected that over the course of a trading day the shop floor won’t always look it’s best.

But brands still have a choice at the start of the day to display products in a way which adequately communicates their value. They have a choice in staff, and a choice when it comes to training staff. They have a choice to meet a minimum requirement.

So why don’t they?

 

FIVE REASONS BRANDS DON’T SHOW THEY VALUE THEIR PRODUCT

1: The business model

Partly it depends on what business model they operate. Low cost, high volume retailers work on big numbers of clothing, so it’s imperative they pack as much into their retail footprint as possible. And to cut costs their wages and training funds might be lower than average, resulting in lower than average service quality.

2: Quantity over quality

But also there’s a desire for many retailers to demonstrate breadth of choice over quality of choice.

In Predictably Irrational, my recommended reading from last month, the author explains a number of experiments which show our dislike of losing out on available options even when the options open to us aren’t high quality.

We (apparently) want choice, so retailers work quantitatively rather than qualitatively.

3: Brand aesthetic

Similarly, the aesthetic of a certain brand might contribute towards a retail space which is visually busier than you might expect - like Lush, or Accessorize, where abundance/indulgence are both quite important aesthetic elements.

However, even in these stores clear value is assigned to the product ranges, through experiential merchandising and very good staff knowledge.

4: Lack of appreciation of service skills

Fashion retailers don’t necessarily pick staff with poor product knowledge, but the way British culture undervalues good service means some retailers don’t think the willingness and ability to absorb and communicate product information is that important. Instead, speed and flexibility of working hours might be the reason staff are chosen.

5: Poor internal communications

Many retailers don’t effectively market to their internal customers (their staff) compared to their external customers. That means training programmes are minimal, or hurried, or are consistently these top-down messages so staff don’t feel like they can really take part.

The result is a body of people who are disengaged and therefore don’t accurately communicate the value of the product they’re selling.

 

TOO SCARED OF RISK TO SHOW VALUE

Ultimately, the reason retailers don’t appear to value their product and instead display poor merchandising and poor service is because the alternative is high risk.

It’s risky to show a few products in a retail space where five times as many could be packed in.

It’s risky to invest in training for staff who might leave next year.

It’s risky to really think about the perceived value your product is (or is not) communicating, because that would mean questioning the quality of your product and business.

Why I Don't Want to Shop Where the Product Isn't Valued - Eleanor Snare

Brave retailers who truly value their product are self-assured. They select and merchandise products with care. They train staff so they are living emblems of the business’ values. They see these investments of time, money and space not as high risk, but high return.

 

IF BRANDS DON’T VALUE THEIR PRODUCT, NEITHER WILL WE

As bricks-and-mortar retailers compete with a greater range of ecommerce stores, physical retail spaces and personal selling are becoming bigger USPs than ever. Yet visiting a British high street, neither of these potential differentiators feel like they’re really being addressed.

The real risk isn’t money or space wasted. It’s that there’s a demographic of consumers, interested in finding brands they can depend on and a high quality, fully-rounded experience, who will turn away from these retailers.

Why I Don't Want to Shop Where the Product Isn't Valued - Eleanor Snare

Why should a customer value a brand’s product when it doesn’t seem to be valued by the very people who make and sell it?

Why love a brand which doesn’t love its products, its people or its store?

Why buy something value-less?

 

I believe that good service is our basic right. Far too many businesses on our high streets don’t prioritise good service as part of their offer, meaning that as a nation we’ve come to expect no better …[yet]…It’s amazing how the smallest service gestures really make a difference: from connecting with and really knowing and caring for your customers, to having an in-depth knowledge that guides and advises them; serving is quite simply the new selling.

Mary Portas, The Portas Review 2011


Thanks for reading. I share articles like this and more inspiring content from around the web in my monthly newsletter. Sign up, and you’ll get a free multi-page guide for great ideas about marketing your business in a way that shows your customers you care.

Sign up the newsletter and get your free Great Ideas Guide here.

 

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How to Come Up With Great Marketing Ideas for Your Business

How to Come Up with Great Marketing Ideas For Your Business

Dreaming up ideas for marketing your business can be very difficult. Dreaming up creative, innovative, new ideas is even harder, especially if you’ve been established for a while.

There are many, many sites which will give you “70+ blog post titles to get you clicks” or “Sure-fire, creative ways to increase Instagram followers”. Some of these articles are useful, but a lot approach your business - and hundreds of others - as if they were the same.

They’re not.

Many seem to think every business of a certain type has the same objectives and audience.

They don’t.

And many try to use a one-size-fits-all solution to coming up with great ideas for marketing your business.

There is no one-size-fits-all solution to coming up with great ideas for marketing your business. There’s no easy route.

Instead, there’s lots of thinking and experimenting and testing things out with your customers. They take work and a clear understanding of your target customer and your objectives.

 

How to Come Up with Great Marketing Ideas for Your Business

Download the Great Ideas Guide - How to Come Up With Great Marketing Ideas - Eleanor Snare

Here’s my guide on coming up with great marketing ideas for your business which you can tailor to perfectly fit your objectives and your customer. It’s based on a recent lecture I delivered at London College of Fashion to MA students designing sustainability projects.

Before you start, make sure you’re really clear on your marketing objectives and who your customer is. Without those, you’ll struggle to come up with relevant, successful ideas.

Download the guide to take you through each part step-by-step with clear (and fun!) activities.

 

Split your marketing into three parts

Research suggests there are three main bits you need to consider when you start coming up with new ideas:

  • Components (the content and ‘stuff’ of your marketing)
  • Configuration (how that ‘stuff’ is put together)
  • Customer need

Thinking about your marketing in these broad terms splits up your marketing into three areas which often get squashed together. Separating the parts helps you think of new ideas for each, and when you start to combine the bits, you start to get really great marketing ideas.

An example of some components might be product images, product details, customer stories or lifestyle content. An example of configuration might be YouTube videos, podcasts, Twitter chats or LinkedIn group updates.

 

Combine new and old parts

Combining different bits of your marketing together - some old, some new - is when you start to get innovative (and even better) ideas. Start by brainstorming some ideas to add to you ‘components’ and ‘configuration’ areas - how about running an Instagram competition, or adding lifestyle content to your blog?

Once you’ve got a few ideas, there are three ways to combine the different parts of your marketing:

Mixing new components with an old configuration is called modular innovation.

Mixing new configurations with old components is called architectural innovation.

And new parts of everything is radical innovation.

Here’s some examples:

An ice-cream business that starts using video content on their existing Instagram account would be a modular innovation (new ‘stuff’, old way of putting it together)

A bricks-and-mortar jewellery business that opens an ecommerce site would be an architectural innovation (old ‘stuff’, new way of putting it together)

A local furniture business with no online presence that starts producing YouTube tutorials on how to care for your furniture would be a radical innovation (new ‘stuff’, new way of putting it together)

These examples are a little obvious and extreme; innovative ideas can be very, very small and some of the best ones for your business, especially if you’re already established, may well be much subtler.

(Fancy giving it a go? Get the guide to great ideas right here.)

 

Understand and consider your customer

A really important part of coming up with great marketing ideas for your business is understanding your customers’ needs. Without considering those as a key part of the thinking process, you won’t be dreaming up things which they’ll engage with.

It’s also important to consider your marketing objectives carefully. A great idea could be completely new and innovative, and totally pointless as it doesn’t fit your customer or your aims.

Use your customer profile to work out what your customer wants and needs from your business. If you’ve made sure your customer profile is compassionate, you’ll be able to answer that more quickly.

(Find out how to make a compassionate customer profile here).

The examples of new ideas above could all fulfil a customer need - but it’s also easy to come up with ideas which don’t, just because you haven’t spent some time considering it.

 

Bonus idea: Be radical

If you feel like your business is in desperate need of something really different, then experimenting with radical innovations for your marketing can be very helpful.

Radical innovation is when there are new components and a new configuration which fulfils a customer need. Coming up with these sorts of ideas isn’t easy at all; to start with, it’s very hard to think of something completely new. Plus, working out whether an existing customer need will be fulfilled by something brand new is tricky.

So these sort of ideas are high risk. Radical marketing ideas often feel the most exciting (because they’re new) but if they’re poorly thought through they can be seriously damaging to your business, because you’re plunging a lot of resources into untested waters.

However, despite being high risk radical marketing ideas can also give high returns, so it can be worth dedicating some time to thinking of more radical ideas.

 

This is hard work!

Yes, it is. It’s much harder than using a ready made list of marketing ideas. But it’s much more likely to help you come up with great marketing ideas for your business which are tailored to your objectives and your customer.

Get some extra help by using my free, step-by-step guide - there are loads of activities in there to support your idea creation!

 

Download the Great Ideas Guide - How to Come Up With Great Marketing Ideas - Eleanor Snare

 

 

Summary

Here’s my way to think of new, great marketing ideas for your business:

  • Split your marketing into three parts - components, configuration and customer need
  • Combine new and old parts to make great ideas
  • Understand your customer needs (and your marketing objectives)
  • Experiment with being radical to find something unique

 


 

Don’t forget to download the guide to help you come up with your very own great marketing ideas for your business - the activities will only take about 90 minutes, and you’ll end up with some great content for your future marketing.

Thanks for reading.

If you’d like extra support coming up with marketing ideas, or actually getting those ideas done (one of the most difficult bits of marketing for any business!) then get in touch. I’m an experienced, creative marketing consultant and copywriter dedicated to helping businesses and people fulfil their potential, and I’d love to see how I can support you.

Email me [email protected] with your marketing challenge, and let’s see what we can do.

 

10 Fashion Illustrators to Follow on Instagram Eleanor Snare feat

10 Fashion Illustrators to Follow on Instagram for Fashion Week

10 inspiring fashion illustrators to follow on Instagram - Eleanor Snare (1)

 

Originally this article was going to be about top Instagram accounts to follow for upcoming fashion weeks. But there are only so many pictures of macarons, flowers, pigeon-toed shoes and other nonsense one can suffer through before you get to the good stuff - you know, the actual clothes and shows.

Instead, here are 10 fashion illustrators you should follow on Instagram for fashion week. Some of them will be live-sketching at events, while others might recreate the looks afterwards - and some just draw people with clothes on.

Whichever way it goes, their beautiful mark-making is much more interesting than another perfectly manicured hand gripping a Starbucks.

 

10 Fashion Illustrators to Follow on Instagram for Fashion Week

 

Blair Breitenstein @blairz

Loose portraits of melancholic, alien-like models.

Scott W Mason @scottwmason

Big black lines with primaries and plenty of s-p-a-c-e.

Duangkamol Suthumachote @daydream.drawing

Soft, dreamlike marker work (and occasionally fishes).

James Davison @jamesdavinsonstudio

Slightly aggro, sexy punk stuff. A bit NSFW.

Cristina Alonso @cristinaalonsoillustration

Gorgeously girly, super-pink. Just enjoy it.

Rachel Merrill @ohhhaeee

My notes say “Tin Tin style fashion illustration”. Very cool.

Nellyaba @nellyaba

Colourful, vibrant and particularly like the work on grey ground.

Mirabelle @mirabelle_fashion_illustrator

Rambling Miro-style lines and puddles of watercolour.

Yuko @pontariver

Puffs of pastel and models fading into the background.

Monika Kozak @mon_and_ka

Slightly creepy block colour people.


 

Thanks for reading. If you liked this article, you might find these ones interesting too:

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Rethinking Your 2016 Goals: How to Make them More Enjoyable

Rethink Your 2016 Goals - Pinterest 4 - Eleanor Snare

A month into 2016, do you still care about your goals as much as you did on January 1st?

Research conducted by the University of Scranton showed that of all the people in the US who regularly make resolutions only 8% of them manage to fulfil them.

I get that; last year I made five big yearly goals based around my freelance work and lecturing. By the end of the year, I’d only truly fulfilled one of them.

It wasn’t because I hadn’t tried. It was because I hadn’t set the goals in the right way.

But I only understood that at the end of the year, when it came to setting goals for 2016. The rest of the year I’d been tough on myself for not hitting those goals, even though I’d been doing loads of other stuff I really loved.

Reconsidering how and why I set goals before writing down my aims for 2016 meant I’ve been able to make goals which are not only achievable, but actually enjoyable too.

Here I’ll share with you what I’ve learnt from experience and reading so you can reclaim some of the same passion for your goals and enjoy fulfilling them throughout the year.

Find areas of focus, rather than SMART goals

Rethink Your 2016 Goals - Twitter 2.a - Eleanor Snare

All of my goals last year used the SMART method, which people generally think is a good way of making goals and helping you achieve them. The SMART method means your goals are Specific, Measurable, Achievable, Relevant and Time-bound.

The problem is, life isn’t SMART. Lots of types of goals aren’t SMART. You can use SMART steps to achieve a goal (more on that later) but often our big goals aren’t going to fit neatly into these boxes.

I found that when I articulated my goals in SMART ways, I ended up doing the bare minimum to fulfil the terms of my goal’s ‘contract’. I didn’t really enjoy it either, as it felt like I was just ticking a box.

As an example, here’s one of my goals from 2015:

By the end of the year I will have written at least two blog posts a month from March to December on fashion, communication or sustainable business.

This felt like a huge chore. When I couldn’t write two posts a month I felt awful about it and when I did write two I wasn’t that excited because it was just part of my ‘to do’ list.

For 2016, I skipped the SMART description and looked at bigger areas of focus. Articulating my goals around these areas has made them much more enjoyable and - so far - immensely achievable.

The difference between the two is the scope of what your goal encompasses and the phrasing you use. Last year it was about “at least two blog posts a month”. This year, my goal is to:

Create meaningful content and an engaged audience on my website

By giving my goal a focus area I have the freedom to try a range of things to achieve it, rather than tie myself down to a specific output. And I’m focusing less on getting it done and more about whether I’m enjoying what I’m doing.

These sort of goals are about quality, not quantity - for what you’re achieving and the process of doing it.

 

Choose the right language to phrase your goals

Rethink Your 2016 Goals - Twitter 4 - Eleanor Snare

As a writer I’m obsessive over which words to use and when - but in writing my goals for 2015 I now realise I didn’t consider language, and the impact it would have on my goal-getting process, as closely as I should have done.

Last year, the key verbs in my goals were things like “written”, “lectured” and “organised”; all accurate but pretty dull words. The language wasn’t inspirational or enjoyable, and so my goals weren’t either.

For 2016, I described my focus area goals much more carefully. The key verbs are “enjoy”, “reflect”, “develop”, “strengthen” and “create”; a set of inspiring words that also encourage direct action.

There are more words about what I’m gaining from the goals, like “experience” and “knowledge”, and more value-driven words (like “meaningful”).

Choosing the right language for your goals is very important to help you enjoy and achieve what you set out to do. You’ll remember your goals more easily, and you’ll be more interested in working on them if you feel enthused each time you read them.

 

Make goals across all areas of your life and give them equal priority

Rethink Your 2016 Goals - Twitter 5 - Eleanor Snare

Often we set goals in work and education, as part of professional development, but very rarely do we set goals in every area of our life - including family, relationships, health or wellbeing.

Last year all my goals were about work and lecturing, and it meant that I missed out on friendship and personal growth. Reflecting on this, I decided two of my focus area goals in 2016 would be:

Develop my spiritual understanding and knowledge

Strengthen my family relationships and friendships

I chose these goals because they’re two areas I tend to neglect. I enjoy spending time by myself with my head stuck in something fascinating. Yet doing this too much means when I need to tap into that inner strength or external social circle, it’s not there.

These goals aren’t SMART and they’ve got nothing to do with work, but they will have a huge impact on my ability to achieve my other, professionally-focused goals and on my overall quality of life.

Setting focus area goals across all parts of your life, and giving them equal priority, is an important way to gain balance, replenish your energy and enjoy the complete goal-getting process.

 

Give yourself a head start with simple tasks

Rethink Your 2016 Goals - Twitter 6 - Eleanor Snare

Setting goals using the SMART method can be limiting, but breaking down goals into simple, SMART-style tasks can be incredibly useful; the same University of Scranton research I mentioned at the start also found people who planned steps to achieving their goals were 10 times more likely to succeed.

I used this method last year, where I broke down each of my SMART-articulated goals into SMART tasks. Because the goals were a like a tick-list to start with, I found that I wasn’t excited by completing the tasks - I was a bit bored.

I also forgot to make all of my tasks completely SMART. More like SMAR.

I missed out the ‘time bound’ aspect because it can be hard to judge when you’ll be able to do something, or how long it might take. Because none of the tasks had time limits, I felt no urgency to do them while at the same time freaking out that I needed to do them now.

While I was achieving things by ticking tasks off, I never felt like I was achieving them.

From this experience, once I’d set my focus area goals for 2016 I created a series of simple SMART tasks which focused closely on the T and were designed to give me a head start on achieving my goal.

I set three SMART tasks for something which I could do…

  • That day
  • That week
  • That month
  • That quarter
  • That year

…which would help me achieve my goal.

I found this process really helpful: I was brainstorming ways to fulfil my goals which I could use later on in the year, plus that day I did three things to help me get a head start on each of my big goals!

Taking a focus area goal and breaking into simple, SMART tasks is a useful way to get a head start on goals which can feel particularly nebulous in January - like setting small milestones for the rest of the year.

 

Reflect on your goals every day

Rethink Your 2016 Goals - Twitter 7 - Eleanor Snare

When we’re setting goals for work or education, they tend to be quite far apart; three months is maybe the minimum gap for a PDP meeting. That means we return to our goals to reflect on them only four times in a year.

In 2015, I was reflecting in a similar pattern on my goals. I returned to them to reflect when there was a big change, or I had a spare half day.

Because they were so specific, so tick-listy and a little bit boring, I didn’t want to reflect on them too closely, so I often skipped it completely.

The result was that I didn’t really experience any joy in working on my goals, or any pride when I had hit small targets. It was only at the end of the year, when I was considering goals for 2016, that I finally saw what I had achieved and fully reflected on what I had been doing.

This year, my aim is to reflect on my goals - along with all elements of my life - on a daily basis through reflective writing. Plus, my focus area goals and simple SMART tasks are in a document I look at least three times a week.

By doing this, I’m regularly thinking about what I’m enjoying, what’s not working and what small milestones I’m passing, making the whole process of achieving the goal much more pleasurable.

Summary

My goals for 2015 were exactly what I needed that year to help me manage my work.

But what I learnt from them has helped me to create goals for 2016 which I actually want to achieve - and I feel like I am achieving them in a small way each day.

Here are the five ways to do the same:

  1. Switch to focus area goals
  2. Use inspirational, value-driven language
  3. Make equal-priority goals across each part of your life
  4. Get a head start with simple SMART tasks
  5. Reflect on your goals every day

To help you rethink your 2016 goals, I’ve created a free workbook to print out and fill in. It takes you step-by-step through each of the things I’ve learnt, plus gives you plenty of inspiration for setting goals.

Get the workbook on reconsidering your 2016 goals and making them more enjoyable right here.

Thanks for reading. I’d love to hear about your goals for this year and your progress - let me know in the comments or drop me a line: [email protected].

 





Boost Brand Loyalty - Blue Header (1)

Boost Brand Loyalty with a Compassionate Customer Profile

How answering a single question can help you create a more compassionate customer profile, leading to better brand trust, boosted brand loyalty and repeat sales.

Problems with profiles

If you’re selling stuff to people, you need a customer profile.

In the best customer profiles, you’ll have all the usual demographic information - like age, gender, demographic classification, location - combined with considered information like psychographic data; for example, what their lifestyle is like and what their buying behaviour is like.

(Two of my Need to Know Big Issues for Fashion in 2016 relate to customer profiles and both are going to require anyone selling stuff to have a more nuanced, compassionate customer profile than ever before.)

The problem is even a good marketer with a good customer profile can miss out on opportunities to build brand trust, boost customer loyalty and gain repeat sales. That’s because they miss out on compassion when they create their customer profile.

 

The key question

I think there’s one important answer you can add to a good customer profile to make it more compassionate and take it to the next level. And this next-level customer profile will, ultimately, help you understand and provide for your customers much more effectively - whether you’re selling shoes or satellite TVs - which in turn boosts brand loyalty.

This is the one important question you need to answer:

What are they afraid of?

That’s it. You can make a good customer profile compassionate and next-level - and subsequently your marketing and content and everything else provided for that customer - by articulating what they are afraid of.

 

Hey, you with the weakness!

But if it’s that simple, why have I seen lots of customer profiles that don’t include it?

I think the reason marketers don’t always articulate what their customers are afraid of is because it seems mean.

It’s like pointing out someone’s weakness: “Hey you! You with the gut-wrenchingly low self-esteem!” or “Hi! I see you have a terrible problem with accepting compliments” or “Lovely to meet you and your bundle of neuroses about authority figures”.

It’s like pointing out someone’s weakness and then sticking the knife right in. And some advertising and marketing is like that. Some marketing plays on our fears of not being cool, or sexy, or loved, by making us feel negative about ourselves and our current situation. I’m not down with that.

I am down with identifying fears - and conquering them.

If you can articulate what your customer is afraid of, you can give them products, services and marketing which help them not be afraid of it. And if they’re not afraid, customers are more likely to trust you, stick with you, and buy from you. Compassion boosts brand loyalty.

 

More compassionate marketing

Some people might argue that the old style of marketing I’ve described is conquering customers’ fears: “Hey! You’re worried about being uncool. Buy this pair of sneakers and you will be cool (until next season)”. Problem solved!

But a more connected, more compassionate marketing strategy that boosts loyalty would be: “Hey! You’re worried about being uncool. You’re not, you know. You are cool. Have you seen these sneakers?”

In the first example the equation is:

[fear] + [my product] =
[temporary interest] + [temporary sale]

In the connected and compassionate example, the equation becomes:

[fear] + [conquering fear] =
[trust] = [loyalty] + [repeat sales]

Proving you understand your customer and can help them conquer a fear leads to trust. Trust leads to loyalty, and to repeat sales.

 

Case study: ASOS

A brand I think does this well is ASOS. They provide their customers with content, marketing and advertising which conquers their fears and boosts loyalty.

On a very simple, psychological level, the ASOS customer is afraid of:

  • Being uncool
  • Not knowing what’s cool
  • Looking stupid, even if they wear something cool

ASOS conquers these fears with a range of strategies and tactics. They make sure their customers feel cool by featuring them on their website through As Seen On Me, they talk to them regularly on social media and use models across their marketing who look like their (teen) customers - different ethnicities and sizes, with piercings, braces and tattoos.

ASOS makes sure their customers know what’s cool by consistently talking about trends on their blog, on their website, on their social media and in their very good print magazine. They also interview cutting-edge young celebrities and early-career creatives, and show how catwalk and street style trends translate to real life wardrobes.

Finally, they make sure their customers don’t look stupid, even if they wear something trendy, through celebrating their customers (using similar strategies to ‘making them feel cool’) and providing them with free, tailored styling advice via Twitter. This advice comes from a range of different stylists, making sure each of their customers has someone whose aesthetic they identify with.

Do ASOS tell their customers their clothes will make them cool? No. They conquer their customers’ fears about coolness, educate them, support them - and then sell them some clothes.

It’s not mean to articulate what your customer is afraid of. It is mean to manipulate that for profit without giving them anything truly valuable in return. Marketing is about selling, but you don’t have to be a dick to do it.

 

How to answer that question

So you’re convinced that identifying your customer’s fears will take your customer profile to the next level, and convinced that being able to conquer those fears will increase trust, boost loyalty and repeat sales.

That’s the easy part. The hard part is working out what your customer is afraid of.

(I also think that’s another reason people don’t do it - because it’s hard and requires skills which lots of us don’t take the time to cultivate).

No-one wants to talk about fear. Focus groups and surveys might not bring up what your customers are truly afraid of, because it might be deeply hidden or they might be ashamed to express it.

So the first way to work out what your customer is afraid of is to do this:

Empathise.

Stop thinking like a marketer, and start thinking like your customer. And not just in relation to your brand, but to everything. Really try to feel what they feel. Difficult? Hell, yes. But achievable.

 

Where to start

You can start to develop your empathy by using your imagination. As children, it’s easy to pretend to be other people (or a lampshade). As we get older, it gets harder; our brains are busy enough without holidaying in someone else’s mind. But empathy is such an important skill to cultivate and it will dramatically change how you provide for your customers.

Use empathy and imagination before customer focus groups or surveys to pinpoint ‘areas of fear’; you’ll get better results, as it’s easier to share vulnerabilities when the other person already gets it.

Here are 16 questions to help you find out what your customers are afraid of and take your customer profile to the next level.

  • There’s a crisis at work. What does your customer do?
  • They make a big mistake. How do they feel?
  • What’s the worst thing their friend could say to them?
  • What are they most scared of losing?
  • How would they react in an emergency?
  • What do they miss?
  • Which places do they avoid?
  • What are their nervous habits?
  • How do they deal with money?
  • How do they feel about shopping for themselves?
  • What’s the biggest compliment you could give them?
  • What don’t they look at in the mirror?
  • When do they cry? Why?
  • What item would make them most upset if they lost it?
  • They fall over in public. What do they do?
  • What negative self-talk do they use?

 

Here’s a thing: those questions make me feel seriously uncomfortable. They’re emotional, invasive and intimate. They’re the questions of a therapist, not a marketer. They’re intense.

And the answers to them will absolutely help you articulate what your customer is afraid of, in turn giving you an opportunity to develop brand trust, boost loyalty and gain repeat sales. So feel the fear and answer them anyway!

 

Building trust and loyalty

Once you have these answers, you can extrapolate what your customer is most afraid of, and articulate it in relation to your brand. Are they scared of losing touch? Of feeling stupid? Of someone finding out they don’t know what they’re doing? Of prioritising work over kids?

Your customer profile, with this key bit of information, will instantly become richer and more compassionate. You can then start to work out ways to conquer their fears using creative, empathic and imaginative tactics. And in turn, your customers will start to trust you. You’ll boost brand loyalty. You’ll gain repeat sales.

All from one simple question: What are they afraid of?


 

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You’ll also get a free online and and printable resource when you sign up: 12 Tactics to Develop a Growth Mindset in Early-Career Creatives (And Yourself).

Thanks for reading.

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Photographs: Bird in the Hand by Glenn Euloth | Visiting Bird by Jim Girardi | chickadee ready for a snack by Shandi-lee Cox | All via Creative Commons | ASOS screenshots and image from www.asos.com





dark leaf

The Mindset Stopping Creatives Fulfilling Their Potential

Have you ever heard a member of your creative team say “I can’t do that”?

What about “I’m no good at this”?

Or “I’ll never be able to do it”?

We’re all critical of our own abilities sometimes, but if you’ve heard phrases like that coming from your team, they might be suffering with something more than just critical thoughts. They might be suffering with a mindset that’s stopping them from fulfilling their potential.

 

How do we get to be good at things?

In 2006, psychology professor and researcher Carol Dweck published a book which outlined the culmination of research on our understanding of where intellectual and cognitive ability comes from. Dweck established that everyone was on a continuum of “implicit views” about where ability originated; if it was innate and given from birth, you have a fixed mindset, and if it’s based in hard work and endeavour, you have a growth mindset.

Another name for these two mindsets are the entity theory of intelligence and the incremental theory of intelligence. In the first, you have a fixed mindset. In the second, you have a growth mindset.

 

Spotting a fixed mindset

Dweck found people’s place on the continuum was especially evident in their reaction to failure. People with growth mindsets realise that learning and development comes through failure. People with fixed mindsets see failure as something to avoid, as it’s a negative comment on traits which they cannot change.

As an educator, I’ve seen plenty of students with a fixed mindset. I spotted it through their approach to failure, but also their approach to opportunities to grow; they shut it down as quickly as possible.

Here are a few things I’ve overheard as an educator which are demonstrate a fixed mindset:

“I’m lazy…so don’t ask me to do too much work.”

“I’m not very good at layout…so I’m leaving it until last.”

“I find decision making really hard…
will you tell me what to do?”

 

 

The case of the silent partner

Here’s a little anecdote to show how the fixed mindset works for early-career creatives.

I got our students to do a ‘silent partner’ feedback activity. In pairs, students gave their partner four pieces of critical and thoughtful feedback on a recent project. During this, the partner couldn’t speak - they were only allowed to write down feedback.

The pairs then swapped over so each person received feedback silently. Only they were they allowed to discuss it.

Naturally, I expected this to be a difficult activity - it takes a strong person to not immediately defend themselves against criticism. But I didn’t expect my students to hate it.

They interrupted their partners. They told me how much they hated it. They argued that they shouldn’t have to do it. And they all agreed how difficult it was once the session was over.

(This is why I like my students. Because they tell me what they really think!)

Most of us would struggle to accept feedback silently. But people with fixed mindsets find it incredibly difficult. Rather than an opportunity for growth, for people with fixed mindsets criticism feels like a judgment they can’t do anything about.

Feedback for these early-career creatives wasn’t an opportunity for growth, but a barrier they couldn’t overcome.

 

What’s so bad about a fixed mindset?

No personality trait is better or worse than another - they’re simply attributes. But certain attributes are more useful for certain careers or lifestyles. Having a fixed mindset is the one thing which will prevent an early-career creative from fulfilling their potential.

The realism of a fixed mindset is useful, especially when you’re talking about your own skills. I can say I don’t have a head for numbers, rather than believing I have an infinite capacity to become the world’s finest accountant.

But sticking with a fixed mindset means you can’t progress from that realism. It turns attributes into barriers. It attaches negative emotions like shame or fear to traits, making them harder to talk about. And it removes agency - our ability to change things - from our own skills.

 

 

A fixed mindset in young creatives

Early-career creatives are presented with things they haven’t done before on a daily basis. I’m always throwing new ideas at my students to see what’ll stick. They’re asked to do things which are difficult and they might not be very good at them.

Early-career creatives with a fixed mindset are much less likely to progress in their career than those with a growth mindset, because people with growth mindsets give new things a try, even when they think they might fail.

Creative processes like coming up with ideas and expressing yourself are risky, because you’re exposing yourself to others. Early-career creatives with a fixed mindset are likely to hold themselves back because they believe they’re no good at coming up with ideas, or that they’re no good at expressing themselves.

The student who said they’re lazy will always miss out on opportunities where hard work is involved.

The student who said they’re not very good at layout will always miss out on opportunities to develop design skills.

And the student who said they hate decision making will always miss out on opportunities to lead.

 

Fixed mindsets at work

Abi Manifold, a friend and leadership consultant with QA Learning, works with businesses on developing growth mindsets. Here’s what she says about the problems of fixed mindsets in the workplace:

“Fixed mindsets kill innovation, because people are scared to fail. Instead of being celebrating for trying they are ‘blamed’ for when things don’t go well first time. In some organisational cultures, there is [lots of] blind conformity because the risk of going out on a limb is greater than any potential benefit of success.

 

Fixed mindsets mean organisations don’t learn from their mistakes. Mistakes happen and then can be valuable lessons! Instead of using that new found knowledge, organisations waste precious resources scapegoating.”

Early-career creatives going into work will also find a fixed mindset potentially damaging. Abi again:

“[They] need a growth mindset to cope with today’s employment markets. They’re going to get knocked back more times than they get accepted…they really need a growth mindset to survive mentally in this climate…

 

On a personal level people [with a fixed mindset] may perceive their career or life path is pre-determined and that nothing can change regardless of any effort they make, therefore they make less general effort or (more damagingly) less discretionary effort when things get challenging.”

 

 

How to encourage a growth mindset

The most uplifting element of all this is that Carol Dweck points out fixed mindsets are not, in reality, fixed - they can be changed.

It’s a slow process to encourage early-career creatives to have a growth mindset, but the benefits for them and your business are significant. Here’s Abi:

“[Having a growth mindset results in] empowered people, who know it’s ok to try stuff and not get told off…people will make more effort if effort is what we celebrate!

 

We untie our shackles to concepts of perfection, and we accept each other as imperfect beings. [We’re] less likely to maintain a blame culture, because we focus on what we learned, not who did what and when.”

 

12 simple tactics

I’ve developed 12 simple tactics based on three core techniques which can be used in the office or the classroom to encourage growth mindset in creatives. They really do work - even after one semester my students were more willing to share ideas, work on feedback and push themselves.

Here’s one of the tactics I regularly use with my students to help get rid of worries around failure: time limits on coming up with ideas.

When this is for a client or a deadline, this process is high-stress. But if there are a spare fifteen minutes in the day, ask your team to come up with fifteen (or more) creative ideas for a new client, business development or new product. Or try five minutes and five ideas (over 15 minutes and I find their energy runs out). Generating ideas like this is fun, fast-paced, and significantly reduces worry about failure because it’s about volume, not ‘perfect solutions’.

I’ve also found some of strangest and most interesting ideas emerge during these short-burst sessions. Because creatives are looking to fill a list, they’re less likely to discard an idea which seems unlikely.

My students found this challenging at first, but over the course of just one semester it’s helped them to be more open and radical with their ideas - and more willing to pitch in during group brainstorming.

 

Get the rest for free

You can get first-hand access to these twelve tactics by signing up to my monthly newsletter of must-see world-changing fashion and ways to fulfil potential.

This full, free resource includes:

  • 12 easy tactics to develop a growth mindset based on three key techniques
  • Ways to use these techniques by yourself and encourage your own growth mindset
  • Bonus: printable illustrated quotes about growth mindset
  • An online and print-friendly version

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Thanks for reading.

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Photographs: All photographs via Unsplash